CINEMA

Kaya: Assam’s First-ever Web Series on YouTube

The web series genre, though still at its nascent stage, is creating a space for young,...

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A new Australian film set in an immigration detention centre is a jarring mix of violence, satire and humanism

Alicia Byrnes, PhD Candidate and Sessional Tutor, Screen and Cultural Studies, University...

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Sujoy Ghosh’s Netflix Series ‘Typewriter’ Fails to Impress

Netflix has come up with its latest original series and this time we are talking about ...

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Seeing Through Super 30: Sanctifying the IIT Dream

As our mental landscape has already been colonized by the instantanity of You Tube and...

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Jesse Alk’s Film ‘Pariah Dog’ Gives New Meaning to Love and Longing

In cities all across the length and breadth of India we find packs of stray dogs who walk...

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Article 15: Ayushmann Khuranna’s Compelling Film on Caste despite Constitution

Article 15 is a film that has recently released in Indian theatres. The film has been...

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Kalank: Undiluted Goodness and Religious Antagonism Paint an Unrealistic Picture

Kalank is set in pre- Independence India and is a film about unrequited love, revenge and...

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Film Review/ Notebook: Splendid Cinematography, Loose Screenplay

FILM REVIEW Notebook is a recent Bollywood film directed by Nitin Kakkar and produced...

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Badla: Suspense and Drama Light Up the Cinemascope

FILM REVIEW The official remake of An Invisible Guest, Badla is a nuanced and powerful...

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Women Aren’t Victims: ‘Period. End of Sentence’ Illuminates Women’s Agency

FILM ‘Period. End of Sentence’ is a film directed by Iranian-American film...

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